I have been tying my shoes the 鶹Ʒ Swrong 鶹Ʒ S way for over 30 years.
Let me explain: I 鶹Ʒ Sm in kindergarten, and our teacher is teaching us to tie shoes. I don 鶹Ʒ St get it. I can 鶹Ʒ St do it. I try the floppy cardboard foot with the laces woven through. I try my own shoes. Either way, the rabbit won 鶹Ʒ St go around the tree or through the hole, or whatever it is the rabbit is supposed to do. Either way, the laces won 鶹Ʒ St tie. My teacher chides those who get it wrong, and I don 鶹Ʒ St want to be chided.
Then, it hits me. I don 鶹Ʒ St have to tie my shoes my teacher 鶹Ʒ Ss way. I just have to make it look like I tied my shoes her way. I tie a knot. I make two loops. I knot those loops, and, voila, laces tied.
Decades later, my fraud would be vindicated when a scientific study, 鶹Ʒ SThe roles of impact and inertia in the failure of a shoelace knot, 鶹Ʒ S (I swear I am not making this up) would prove once and for all that the way we 鶹Ʒ Sre taught to tie shoes as children is careless, inefficient and leaves laces prone to loosening. My impromptu method, devised to avoid getting yelled at by an impatient teacher, turned out to be the smarter, more efficient method after all. Sometimes stubbornness isn 鶹Ʒ St such a bad thing.
I 鶹Ʒ Sm talking about the times your method isn 鶹Ʒ St wrong, merely different, when different can be a good thing.
First, though, let me define my terms. When I say stubbornness, I 鶹Ʒ Sm not talking about ambition, grit or the many characteristics under the umbrella of perseverance for which most people already hold the utmost admiration. Nor am I referring to the kind of stubbornness surrounding strict adherence to a suspect or outdated tradition, times when the stubborn individual might be better served by evolution. No, I 鶹Ʒ Sm talking about the need, at times, to fly in the face of unfounded tradition. I 鶹Ʒ Sm talking about resilience when you 鶹Ʒ Sre waiting for the world to catch up with your way of thinking. I 鶹Ʒ Sm talking about the times your method isn 鶹Ʒ St wrong, merely different, when different can be a good thing.
Maybe shoelaces are a silly example. Here are some better ones:
Swedish pro golfer Jesper Parnevik, one of the finest golfers in the world, freely admits to holding his clubs all wrong.
鶹Ʒ SMy knuckles go white, 鶹Ʒ S he says in an interview with Golf magazine. 鶹Ʒ SI 鶹Ʒ Sve putted with a glove forever, but I 鶹Ʒ Sve worn putter grips all the way down to the metal. That 鶹Ʒ Ss a little weird. 鶹Ʒ S Weird may be the word, but that weirdness hasn 鶹Ʒ St kept Parnevik from netting over $15 million in career earnings on the PGA Tour.
Or consider iconic painter Frida Kahlo. As art historian Gannit Ankori points out in Imaging Her Selves: Frida Kahlo’s Poetics of Identity and Fragmentation, Kahlo, in her lifetime, was known mostly as the eccentric wife of painter Diego Rivera. She died unappreciated and virtually unknown outside of Mexico before several books and retrospectives resurrected her work and shined a long overdue spotlight on her art. But living in Rivera 鶹Ʒ Ss shadow didn 鶹Ʒ St keep Kahlo from completing a staggering 143 paintings before she died at the age of 47.
Parnevik and Kahlo are outliers, you might argue. Consider, then, something that most of us do most days: type.
Numerous experiments, including Finland 鶹Ʒ Ss Aalto University study 鶹Ʒ SHow We Type: Movement Strategies and Performance in Everyday Typing, 鶹Ʒ S have shown that self-taught typists can type just as fast with as few as six fingers as professional typists, trained under the traditional touch-typing method, who type with 10. What matters, in the end, isn 鶹Ʒ St the 鶹Ʒ Sbest 鶹Ʒ S method but muscle memory and commitment to a single typing style.
Whether famous or workaday, sometimes we must work against conventional wisdom in order to achieve a desired outcome.
Whether famous or workaday, sometimes we must work against conventional wisdom in order to achieve a desired outcome.
Stubbornness, of course, is risky. There 鶹Ʒ Ss the risk that holding your club your way will injure your back. There 鶹Ʒ Ss the risk that you 鶹Ʒ Sll paint your way into obscurity. There 鶹Ʒ Ss the risk that you 鶹Ʒ Sll type your way and flunk that typing-speed test. Always there 鶹Ʒ Ss the risk that your way is not the better way, that things are one way for a reason, that you 鶹Ʒ Sre making things harder for yourself than they have to be. Always, always there 鶹Ʒ Ss the risk that you 鶹Ʒ Sre wrong.
As leadership consultant Muriel Maignan Wilkins points out, stubbornness carries with it the risk of Pyrrhic victory. Proving a thing can be done your way doesn 鶹Ʒ St necessarily prove your way was best. In short, if you 鶹Ʒ Sre stubborn about everything, you 鶹Ʒ Sre doing stubbornness all wrong. As Wilkins notes, there are times when it 鶹Ʒ Ss far better to listen to others, synthesize ideas, consider tradition, stay flexible, compromise, and even admit when you 鶹Ʒ Sre mistaken.
My point, then, is simple but no less profound for being so, I hope. Despite platitudes and T-shirts, movie quotes and what passes for wisdom these days, there 鶹Ʒ Ss rarely one right way to do a thing. Where a prevailing method reigns, there are nearly always practitioners achieving at high levels in opposition to the dominant or 鶹Ʒ Sbest practices 鶹Ʒ S methodology.
In other words, just because there are many ways to do a thing wrong doesn 鶹Ʒ St mean there 鶹Ʒ Ss only one way to do a thing right. And sometimes your way is just waiting to become the new dominant way of doing a thing, as when American athlete Dick Fosbury, dismissed early on as the 鶹Ʒ Sworld 鶹Ʒ Ss laziest high jumper, 鶹Ʒ S won the 1968 Olympic gold medal with his signature 鶹Ʒ SFosbury Flop 鶹Ʒ S and changed the face of the sport forever.
All of which is good news for me. After all, at 40 years old, I only use seven fingers to type, and I still tie my shoes my way.
David James Poissant is an associate professor at the University of Central Florida where he teaches in the MFA program in creative writing. He can be reached at David.Poissant@ucf.edu.
The UCF Forum is a weekly series of opinion columns presented by UCF Communications & Marketing. A new column is posted each Wednesday at http://today.ucf.edu and then broadcast between 7:50 and 8 a.m. Sunday on WUCF-FM (89.9). The columns are the opinions of the writers, who serve on the UCF Forum panel of faculty members, staffers and students for a year.