Creating a Scene
Summer 2017 | By Maureen Harmon

Ayana Campbell Smith听 麻豆精品 S14, Drew Powers 麻豆精品 S11 and Morgan Walker 麻豆精品 S12 created Orlando Creators along with Hillery (Brooks) Powers 麻豆精品 S11 (not pictured here).
Spotlight on Talent
Ayana Campbell Smith 麻豆精品 S14
Drew Powers 麻豆精品 S11
Co-founders of Orlando Creators
Ayana Campbell Smith 麻豆精品 S14 was born and raised in Orlando, and she had planned to leave as soon as she got her degree in graphic design. As a 麻豆精品 S渃reative type, 麻豆精品 S she intuitively looked toward the likes of New York or Boston to establish her career, but when she landed a job with an Orlando-based digital creative agency, she realized she was surrounded by other graphic designers and visual artists. Now at Envy Labs, a consultancy that specializes in software development and interface design, she teamed up with fellow Envy Labs designer Drew Powers 麻豆精品 S11, his wife Hillery (Brooks) Powers 麻豆精品 S11, and videographer Morgan Walker 麻豆精品 S12 to establish Orlando Creators, an online interview series showcasing Orlando designers and visual artists.
Ayana: Our goal at Orlando Creators is to spotlight the creative talent that 麻豆精品 S檚 in Orlando because I think a lot of people around the nation don 麻豆精品 S檛 realize how much talent we have here.
Drew: The first people we interviewed have already had more exposure than we could possibly give them. We 麻豆精品 S檙e kind of leveraging their reach. These are designers and artists that are good enough to work anywhere in the world, and they choose to be in Orlando.
Drew: Orlando is the hospitality mecca of the world, but if you stick around long enough, you 麻豆精品 S檒l realize that there is a small community here besides the swirling sea of people coming and going. I am generally a big fan of archival projects. I would love for this to be an archive 麻豆精品 S a snapshot of a time in the city. I like living here, and I 麻豆精品 S檓 looking for ways to make my own city better.
Ayana: There are other states or cities that have done similar things. There is a site called Made in the Middle, and it celebrates design and creativity in Kansas City.
Drew:听Tad Carpenter is the designer who started it. So we pretty much stole his idea outright.听
Ayana: It brings me joy to be able to spotlight these creatives, to give them a platform, to spread their message and then to share their work. To the soon-to-be graduates or creative types looking for their niche: Plug yourself into the local creative community wherever you are. Get involved, and see what you can do.
Ayana Campbell Smith 麻豆精品 S14
Made in the Shadows
Sean Walsh 麻豆精品 S12
Owner of secret Society Goods
Sean Walsh 麻豆精品 S12, a graphic designer, has always had a love of the macabre. When he began creating lapel pins and bandanas with an eerie twist, he decided to put them online to see if they would sell. Seems he 麻豆精品 S檚 not the only one with a love of the dark side.
I think Orlando 麻豆精品 S檚 time has come, and there 麻豆精品 S檚 a perfect storm of things happening. You 麻豆精品 S檙e seeing a lot of civic pride due to things like the new Amway Arena and the Orlando City Soccer Club. I think in the past, there 麻豆精品 S檚 been a tendency to treat Orlando a little bit like a bus stop 麻豆精品 S people used it听as a transition city. I think we 麻豆精品 S檙e seeing听more and more people who are saying 麻豆精品 S淚 don 麻豆精品 S檛 need to go far away to make something cool. 麻豆精品 S I think all it takes to turn a city around is for people to decide, 麻豆精品 S淗ey, this is a nice place to live, why don 麻豆精品 S檛 we contribute to it? 麻豆精品 S
I 麻豆精品 S檓 proud of where we live, and I 麻豆精品 S檓 proud of the people who are staying here and contributing to this community, both artistically and through small businesses.
I realized I was working a day job and freelancing on the side, but I didn 麻豆精品 S檛 feel like I was making the contribution I wanted to. It was piecemeal 麻豆精品 S a hotel logo here, a food truck logo there 麻豆精品 S and I felt like I had more to say.

I can pinpoint a moment in my childhood when I realized that I was attracted to the macabre. I got straight-A 麻豆精品 S檚 on my report card one year in elementary school, and to celebrate, my parents took me to see The Nightmare Before Christmas. That movie had such an impact on me. I love that flirtation with Halloween, the occult. I like that imagery. I 麻豆精品 S檓 fascinated by it.
Some people get themselves organized and say, 麻豆精品 S淚 have a business idea, and this is my business plan, and these are my target goals. 麻豆精品 S I wish I could say that I was one of those people.
I go thrift store shopping and collect a lot of things 麻豆精品 S little patches and pins, bandanas and handkerchiefs, stuff like that. At one point I thought, 麻豆精品 S淲hy don 麻豆精品 S檛 I put a little shop section on my portfolio site? I 麻豆精品 S檒l design a couple of bandanas and see how it goes. 麻豆精品 S
麻豆精品 S淭he future is wide open. The most important thing to me is that people can see that I care about what I 麻豆精品 S檓 doing. And that there 麻豆精品 S檚 a lot of detail in it 麻豆精品 S and a lot of love. 麻豆精品 S
Sean Walsh 麻豆精品 S12
Pressing On
Ryan Rivas 麻豆精品 S05
Co-founder of Burrow Press and it’s quarterly reading series, Functionally Literate

Ryan Rivas 麻豆精品 S05 was teaching high school English in Gainesville, Florida, when his wife 麻豆精品 S檚 job brought him back to Orlando. That 麻豆精品 S檚 when he met Julia Young, who had just started a program called Page 15. The idea behind Page 15 is to offer free creative writing and reading programs to Orlando 麻豆精品 S檚 children 麻豆精品 S and inspire a lifelong love of the language arts. By 2010, Rivas had co-founded Burrow Press, an independent publisher of literary work, largely fiction. One of Burrow Press 麻豆精品 S main missions: to build the literary community in Orlando.
The first book Burrow Press published was an anthology of short stories by Florida writers called Fragmentation. It turned out that a lot of the writers we had chosen lived in Orlando. We had a big book release party. The writers came. The writers bought their friends. Their friends were writers. That 麻豆精品 S檚 when we realized that many local people were interested in writing, and reading, and literature 麻豆精品 S more than we thought.
Ryan Rivas 麻豆精品 S05

When we first started Burrow Press, we knew we wanted to have a community program. We started with a monthly reading series with J. Bradley 麻豆精品 S01 called There Will Be Words. Later we started our own quarterly reading series, Functionally Literate: A Literary Function, named to reflect the irreverence of the personalities of the people involved with Burrow Press.
There was a burgeoning writing community in Orlando. So we thought we could use our connections to bring in big authors and get locals involved too. We brought in authors from Portugal and Ireland but mainly across the United States. New York Times best-sellers. National Book Award finalists. Literary high-brow, genre-benders, experimental poets. The idea is to present the broadest array of what 麻豆精品 S檚 happening in contemporary literature.
We 麻豆精品 S檝e been lucky in that we didn 麻豆精品 S檛 have to pay for advertising or marketing. It 麻豆精品 S檚 grown through word of mouth, and to a certain extent, just a need for it.
I get to wake up and think about books and think about writing. There are a ton of headaches, as there are with every business, but honestly, I get to focus on what I love to do, every day.
Life on the Fringe
Michael Marinaccio 麻豆精品 S98
Festival producer for the Orlando Fringe Festival
In 1997, Michael Marinaccio 麻豆精品 S98 got together with some friends from Theatre UCF and created a sitcom called The Zombie Doorman. It was written by Tod Kimbro 麻豆精品 S02. 麻豆精品 S淭hink of an R-rated Friends, 麻豆精品 S 听Marinaccio says. They took the show to the Orlando Fringe Festival, and Marinaccio fell in love with the atmosphere. For the next 15 years, he produced, directed, acted in or wrote something for the Fringe. Then when the festival producer position opened up, he landed his dream job.
麻豆精品 S淎t 26, we are the oldest fringe festival in the United States. Over that time, we 麻豆精品 S檝e created an avenue for lots of artists to take chances, innovate and develop as businesspeople and entrepreneurs. It 麻豆精品 S檚 led to the birth of many theater and performing arts companies. 麻豆精品 S
Michael Marinaccio 麻豆精品 S98

I cry once every festival. It 麻豆精品 S檚 always tears of joy and inspiration. It 麻豆精品 S檚 usually from a show or an artist that far surpasses my expectations. There is a group called the Downtowners, a choir from Orlando Lutheran Towers, which performed. Their youngest member is around 70 years old, and their oldest member just turned 102. They sing fun pop songs and standards. They 麻豆精品 S檙e totally an amateur group, and you may not be completely blown away by the performances, but they show so much joy when they 麻豆精品 S檙e singing. It 麻豆精品 S檚 infectious. If you can watch a 101-year-old woman sing 麻豆精品 S淔orever Young 麻豆精品 S and not cry, you 麻豆精品 S檙e not human.
There are many different types of fringe festivals throughout the world, but I think the one thing that binds us all together is independently produced, cutting-edge performing arts. Fringe festivals are almost all multigenre festivals, so they include anything from juggling to drama, musical theater, poetry or puppetry.
A lot of our audience members are not part of a regular theater crowd, but they come to Fringe because tickets are a maximum $12. And with 165 shows, there 麻豆精品 S檚 always something for everyone, whether it 麻豆精品 S檚 dance, stand-up, acrobatics or theater.
Every year we have shows that range from really polished, professional works to brand new, amateur, 麻豆精品 S淚 麻豆精品 S檓-a-semiretired-electrician-and-I-decided-to-do-a-one-man-show-even-though-I 麻豆精品 S檝e-never-performed-on-stage-before 麻豆精品 S works. That 麻豆精品 S檚 the beauty of it. Because it 麻豆精品 S檚 a lottery selection, everyone has the same chance of getting into the festival.
Local Love
Jim Hobart 麻豆精品 S88
Hillery (Brooks) Powers 麻豆精品 S11
Co-founders of Local Love Orlando
Jim Hobart 麻豆精品 S88 met Hillery (Brooks) Powers 麻豆精品 S11 in his advertising course at UCF. A few years later, he hired Hillery to manage his photography company, Macbeth Studio, which largely focuses on portraits, architectural photography and video. As the business expanded, Hillery began to create custom backdrops for the shoots, which eventually evolved beyond the standard studio shoot. Macbeth, its photographers and those creative backdrops were being recruited for parties and fundraising events. And some of that creativity became so popular that the pair created a spinoff, Local Love Orlando, which specializes in hand-drawn prints and goods that celebrate The City Beautiful.
Hobart:听When I started in the advertising world, there were some up-and-coming businesses in town that were starting to get national attention. Orlando 麻豆精品 S檚 been around since the late 1800s, but it felt like it was just starting to get recognized for more than Disney World. Over the 30 years that I 麻豆精品 S檝e been working here, Orlando 麻豆精品 S檚 been growing and changing, and it 麻豆精品 S檚 nice to be one of the people who helped get things started. It 麻豆精品 S檚 like being in New York City in the 麻豆精品 S80s when it was sort of re-emerging as an international hub.
HILLERY (BROOKS) POWERS 麻豆精品 S11
Hobart:听I started a monthly event听called First Friday Fotos, where I did headshots for very low prices. We would have 20 to 40 people walk through the door, and I would never know who was coming 麻豆精品 S large, small, black, white, old, young. I had every type of person walking through the door, and I had to learn how to photograph people. Then Hillery got involved and started saying, 麻豆精品 S淟et 麻豆精品 S檚 make it a little more involved than just a red background. Let 麻豆精品 S檚 create something. 麻豆精品 S So, the photo booth听 backdrop evolved out of us trying to make it a little more interesting. And then that modified into fundraising for causes we believe in, and that evolved into events, and suddenly people were calling us for their wedding receptions, or their dinner parties, or their company holiday parties.
Powers: We decided to do a backdrop for an event to raise awareness for a local homelessness campaign. So we made a map of听 Orlando. I designed it, and a few artists helped paint it. Dozens of people started reaching out asking for prints of the map. That 麻豆精品 S檚 how our print company, Local Love Orlando, got its start.
Hobart:听I 麻豆精品 S檇 like Macbeth Studio to be known as the photography and video firm you call when you have something going on downtown. And it completely dovetails with what Local Love 麻豆精品 S檚 doing. Even though they 麻豆精品 S檙e two separate companies, and they 麻豆精品 S檙e growing together but apart, I think that they 麻豆精品 S檒l be connected. Macbeth incubated Local Love, and now Local Love is going to help Macbeth.
Powers:听I have lived in other听places, and when I moved back to Orlando, I developed this love for the city. I was proud of the听 things that were happening here. I was proud of the smaller coffee shops, and the markets, and all these people who have invested in Orlando. And I really love being part of that.

Shorts Stand Tall
Gene Kruckemyer 麻豆精品 S73
Nelson Beverly 麻豆精品 S04
Christina Grace Beverly 麻豆精品 S04
Co-founders of the Love Your Shorts Film Festival
When Gene Kruckemyer 麻豆精品 S73 and his wife, Nancy, discovered the Dam Short Film Festival in Nevada, they figured it was just the kind of thing that Sanford, Florida, needed. So they started their own film festival, Love Your Shorts, with friends, including Christina Grace Beverly 麻豆精品 S04 and Nelson Beverly 麻豆精品 S04, who have a love of the genre. Now in its eighth year, Love Your Shorts screens 70 to 80 short films at the historic Wayne Densch Performing Arts Center every year and welcomes more than 2,000 attendees.
Gene:听My wife and I were visiting Las Vegas and we went down to the Hoover Dam, which is right next to a little town called Boulder City. We were driving through and saw a short-film festival at the Boulder Theater. We watched the comedy block that night. Afterwards, they had a Q&A with some filmmakers and a meetup at a nearby microbrewery. My wife turned to me and said, 麻豆精品 S淲e could do this in Sanford. 麻豆精品 S When we came back home, we asked our friends if they wanted to be a part of this, too.
Nelson:听There were five of us that said, 麻豆精品 S淟et 麻豆精品 S檚 make this a reality. 麻豆精品 S That night we registered the domain name Love Your Shorts. A year later, we had filmmakers from all over the U.S. and Canada come to Sanford for our first festival.
Christina:听 Who doesn’t like a movie? And it’s even cooler when听 it 麻豆精品 S檚 a short film because it 麻豆精品 S檚 short and sweet. Now it is hard for me to sit through a two-hour film. I don 麻豆精品 S檛 like horror films, but for some reason I really enjoy watching the horror film shorts. Two hours of suspense may be a bit much, so maybe I can deal with five minutes of it.

Gene: People these days are attuned to look for shorter things. Think about how people consume social media. We figured that this is a format that they 麻豆精品 S檙e used to, and it 麻豆精品 S檚 clicked.
Nelson: That first year we were just making it up as we went along. We did it at our local chamber of commerce. We have a local historic theater, but we were afraid that nobody would show up. We sold out pretty much every showing.
Gene: One year, a film we were showing, God of Love, was up for an Academy Award. The filmmaker couldn 麻豆精品 S檛 come to the festival, but his mother was here from Amelia Island. She accepted his award for Best of the Fest. Turns out, he was in California getting ready for the Academy Awards, where he won an Oscar.
麻豆精品 S淭HERE IS OFTEN A MISPERCEPTION ABOUT SANFORD. WE WANTED TO HAVE AN EVENT AND INVITE PEOPLE IN AND SAY ‘LOOK, THIS IS SANFORD. COME AND SEE IT FOR YOURSELF. 麻豆精品 S
Christina Grace Beverly 麻豆精品 S04
Christina:听 Since we started the festival, so many businesses have opened up here. We have new bars, new restaurants, new retail. Not that it 麻豆精品 S檚 necessarily because of the film festival, but to be part of the renaissance, bringing people here 麻豆精品 S it feels good.
We Built This City on Creativity

Cole Nesmith 麻豆精品 S07
Executive director of the Creative City Project
To Cole NeSmith 麻豆精品 S07, bridges and听 roads are the skeleton of a city, but arts and culture are its soul. Nesmith developed the Creative City Project, an organization that hosts an annual public performance and installation arts event called IMMERSE. He spends the rest of his time advocating for artistic development in the community 麻豆精品 S and for the artists themselves.
The Creative City Project has three objectives: One is to cultivate听a thriving arts community in Orlando. The second is to help the residents of our city care more about it. And the third is to shape the global perception of our city as one known for innovation and creativity.

From year one, we 麻豆精品 S檝e had a relationship with Cirque du Soleil, and it’s been really wonderful. On a whim that first year, we gave them a call and said, 麻豆精品 S淗ere 麻豆精品 S檚 what we are doing. Do you want to participate? 麻豆精品 S We didn 麻豆精品 S檛 have a budget, and we didn 麻豆精品 S檛 really have much of a structure as an organization. But they agreed to participate. About 30 of their performers came downtown during a Friday lunch hour, and they performed a 35-minute original piece out in front of City Hall, and a couple thousand people came. It was really听special.
It 麻豆精品 S檚 easy for politicians to paint the arts and culture in a frivolous light. But there are a听 lot of organizations that work very hard at showing the economic impact of the arts and cultural experiences of a city. That 麻豆精品 S檚 really important for us to recognize. The arts aren 麻豆精品 S檛 frivolous. They 麻豆精品 S檙e an essential fiber of the city.
Compared to much of the world, the U.S. doesn 麻豆精品 S檛 cultivate meaningful, city-wide cultural experiences 麻豆精品 S like Carnival in Brazil or the month-long celebrations of Chinese New Year. We believe that as people encounter meaningful, shared experiences as part of our annual event, IMMERSE, it transforms the way they perceive the people and spaces of our city. An example: The first year that we did the Creative City Project we had a photo booth in the historic city plaza. A van drove by and a family stuck their heads out and said, 麻豆精品 S淗ey, what are you doing? 麻豆精品 S About five minutes later we see this family walking up the sidewalk toward our booth, and they took some photos and had a good time. This family lived in Argentina, and they were taking a van trip from Argentina to Canada and were on their way home via Florida. They were driving through the middle of downtown Orlando on a Tuesday night, and it was really dead. Had we not been there, that would have been their memory of downtown Orlando. But they came, and we connected with them. I’d like to think that when they think of Orlando, that that’s the experience they remember.
“we believe that as people encounter meaningful, shared experiences, they transform the way they perceive the people and spaces of our city.”
Cole nesmith 麻豆精品 S07
The Wisdom of Youth
Elizabeth Horn 麻豆精品 S10MFA
Assistant Professor in Graduate Theatre for Young Audiences program
As an undergraduate musical theater major at Brenau University, Elizabeth Horn 麻豆精品 S10MFA was a performer and touring manager for a repertory company that visited K 麻豆精品 S12 schools in Georgia. The experience taught her about the importance of theater for young audiences, and she was hooked. Now, as an assistant professor in the graduate Theatre for Young Audiences program (a partnership between UCF and the Orlando Repertory Theatre), she 麻豆精品 S檚 working with her students and the local community to explore social and cultural issues through the arts.
I have students who work with young people on the autism spectrum, with young people who are experiencing grief, and with young people who are in the foster care system. We are frequently looking at theater as a tool to access identity and emotional expression.
That 麻豆精品 S檚 not what all theater for youth looks like 麻豆精品 S some of it is polished. If you look on Broadway, you 麻豆精品 S檝e got musicals like The Lion King, Matilda and Mary Poppins, but this community-based work puts an emphasis on the individual and on process and growth over product.
We worked on a touring production called Puddin 麻豆精品 S and the Grumble. It 麻豆精品 S檚 about a young girl who, through changing circumstances in her life, finds herself with little food. A musical about childhood hunger is not what people typically expect, but it works beautifully. We 麻豆精品 S檝e taken this production into a variety of schools 麻豆精品 S both schools where students may not be as aware of childhood hunger and schools where many of the students receive food backpacks every Friday to get them through the weekend. For the latter, it 麻豆精品 S檚 the opportunity to see their story reflected on stage and to have confidence in knowing that they 麻豆精品 S檙e not alone. It also helps them learn how to ask for help.
We also helped pilot The Justice Project 麻豆精品 S a collaboration between UCF and the Orlando Repertory Theatre. In this project, we worked with young men of color at Evans High School, and we trained them in theater techniques. In our pilot program, we asked them, 麻豆精品 S淗ow do you imagine a just community? 麻豆精品 S We asked these gentlemen to share their stories, and we crafted their stories and experiences into an original play.
Then these young men worked as facilitators in a workshop where they shared this performance, and they facilitated theater exercises with current and future police officers. So it 麻豆精品 S檚 this really beautiful exchange of these young men of color sharing their stories and then extending their hand to police and saying, 麻豆精品 S淣ow we want to hear your stories. 麻豆精品 S
They 麻豆精品 S檒l learn a lot of skills that will serve them for things like public speaking, but the primary thing that I 麻豆精品 S檓 hoping they 麻豆精品 S檒l experience is empathy. The young men 麻豆精品 S檚 original script began with the line, 麻豆精品 S淭here 麻豆精品 S檚 more to me than meets the eye. 麻豆精品 S If you look at the police-civilian dynamic right now in our country, both parties are essentially saying this.
All theater really has the power and potential to impact the community, but when we 麻豆精品 S檙e working with young people, we tend to focus on that more because we understand all of the opportunities for education and enrichment and personal growth. I think everyone, regardless of age, could benefit from experiences that lead us to all of those things.
Snap! to it
Holly Kahn 麻豆精品 S93
Co-curator and exhibition coordinator for Snap!听Orlando
After spending 10 years in California and getting to know photographers who are exploring the medium as a fine art, Holly Kahn 麻豆精品 S93 and her husband, Patrick, wanted to bring the contemporary world of photography to Orlando to enhance what they perceived as a burgeoning arts scene. The couple created Snap! Orlando听to exhibit international and local photographers 麻豆精品 S and to educate the public on photography 麻豆精品 S檚 ability to branch well beyond headshots and editorial spreads.
Prior to moving to Orlando, my husband and I spent about 10 years in L.A. 麻豆精品 S he was publishing a magazine and I worked in education. Within the first year, we felt a cultural void. We had a few museums, but very few galleries. There was no emphasis whatsoever on photography, especially as a fine art medium.
Snap! Orlando听was a leap of faith. One of the first people we contacted was Douglas Kirkland. He 麻豆精品 S檚 the one who photographed Marilyn Monroe in her bedsheets. He is a dear friend. We invited him to be our guest celebrity speaker, and he accepted. When we approached the Downtown Development Board of Orlando, they enthusiastically gave us logistic and financial support.

Originally, we started as a popup show with no walls. Basically, we would have to find an empty warehouse. We would build an entire exhibition venue with lighting and moveable walls and within days it would be uninstalled and gone. We needed brick and mortar. After four years, we decided to find a permanent gallery space, where we could maintain a relationship with the artists and engage the community all year long.
We connected with a woman who is an icon in the art world, Deborah Willis. She is the chair of Department of Photography and Imaging at the Tisch School of the Arts at NYU. She curated the critically acclaimed traveling museum exhibition, 麻豆精品 S淧osing Beauty in African American Culture, 麻豆精品 S which explores the ways African American beauty has been represented in historical and contemporary contexts through photography, film and fashion. It had never been previously allowed to be exhibited in a gallery, but Deborah and the curatorial service trusted us. It was shipped from Los Angeles in huge crates, and it was unbelievable to open them and see these historical photos and iconic works.
We did an exhibition called You Are Here. For 30 days we had a pop-up exhibit, programming, something going on every day. It was held throughout the city. What we were trying to do was show people the gems in the community, whether it was a clothing shop or a newly opened hotel.
麻豆精品 S淥rlando’s arts and culture scene is noticeable and rapidly changing, and we are happy to be a part of that evolution. 麻豆精品 S
holly kahn 麻豆精品 S93


The Beauty of an Empty Space
Harrison Rai
Parramore district innovator
Harrison Rai, a former UCF business student, refurbishes old warehouses and rents them out. So when he saw the development going on in the Parramore District near the Orlando City soccer stadium, he purchased a few dilapidated buildings and brought them back to life. That space, now known as the West Art District, has become a go-to scenic spot as locals and tourists take in Orlando 麻豆精品 S檚 largest street arts exhibit. But Rai hopes it becomes more than just something to look at.
When I first started, this place was really bad. There 麻豆精品 S檚 a lot of crime in this area, and it was just very unkempt. But then I saw all the development going on in Parramore 麻豆精品 S the Orlando City Stadium, UCF 麻豆精品 S檚 new campus 麻豆精品 S and I really wanted to make this an activity hub for all the new people coming here. I want people to hear the name 麻豆精品 S淧arramore 麻豆精品 S and think, 麻豆精品 S淥h, the West Art District. Let 麻豆精品 S檚 go over there. 麻豆精品 S
Parramore is a great area; it just needed a little love. I started听cleaning up the area 麻豆精品 S pruning trees, cutting the neighbors 麻豆精品 S grass. Then I recruited artists to do murals on the buildings 麻豆精品 S exteriors. As soon as the murals went up, the atmosphere changed. People were smiling a lot more. They were complimenting the art.
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Harrison Rai
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